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IN MY LIFE

by Apache

Content:
Het
Nick/Natalie; Janette
No Sexual Situations
No Violence


There are places I'll remember
All my life, though some have changed
Some forever, not for better,
some are gone, and some remain.

All these places had their meanings
With lovers and friends I still can recall
I know I'll often stop and think about them
In my life, I've loved them all

But of all these friends and lovers
There is no one compares with you
And these memories lose their meanings
When I think of love as something new.

I know I'll never lose affection
For people and things that went before
I know I'll often stop and think about them
In my life, I love you more
In my life, I love -you- more.

Beatles (John Lennon)

~ ~ ~

--There are places I'll remember
--all my life, though some have changed

~ ~ ~

The din was horrible, and what met the eyes was even worse.

Vulgarity, all the ugliest kinds of sensuality, mortal and immortal.  Writhing bodies scripted by Dante, a clangor of guitars and synthesized noise beyond a death metallist's wildest dreams, and the air full of the bizarre and various scents of sexual and other hungers -- again, human and vampire alike.  No strange envious eyes of Miklos, no dark bald head over a pleased and knowing smile, saying "she's here-- just in back--"

~ ~ ~

--Some forever, not for better,

~ ~ ~

Janette's Raven was dead, and Lacroix was the vampire who had drained its life.  There was not even an echo of her from the walls, the floor, the wooden bar, the big mirror.  Lacroix's dominion permeated the place.

--It was her time.--    --She sold me the place for a song.--

Lacroix's blunt little sentences gnawed at him.  Nicholas passed through the dancing crowd as if deaf and blind, noticed without interest that the Spaniard Vachon was watching his child Urs dance and drinking from his glass with dipped fingers; saw that Lacroix was in his booth indulging his sense of humor as the dark father confessor of CERK.  The 'broadcast' light was on; the red hue it lent Lacroix's pallor was of a piece with the place.

Nicholas could not hear Lacroix's voice from the booth, but it pierced his mind.  The small sentences of dismissal, she thought it would be better. And the worst:

--don't look for her.--

~ ~ ~

--some are gone, and some remain.

~ ~ ~

It was Nicolas de Brabant who walked into the cold loft as dawn blued and then reddened the sky beyond the CN Tower.  There was no comforting, quasi-mortal Nick Knight in his heart this morning, just the bleak vampire whose companion of centuries, sister, lover, fellow hunter was -- utterly gone.

The cabinet that had held the da Vinci portrait for so many years was still in its place, with an emptiness inside -- for what could replace a da Vinci?  Nicolas ran his fingers over the carved surface, the inlay, and opened it:  what could replace Janette?  The intensity of immortality hurt him now as it had not done for decades --

She had said that once, when it seemed he must leave: "how many years, Nicola, how many decades...?" before they would meet again --

--the sun was actually rising now, and the heating of his skin demanded he act--

no progress, no progress, said his mind, just pain and fire and the threat of fire, and the voice of an angel saying:  "these are the innocents you killed.."

~ ~ ~

--All these places had their meanings
--with lovers and friends I still can recall

~ ~ ~

He brought the blinds down and slumped at the piano with a rage so fiery it left him no direction to move.  His fingers went unthinkingly to the keys--

-- Janette coming to stand with her hands on his shoulders as he sat to down to play for her at the pianoforte: "Listen to what he wrote, this man who cannot even hear his own music!"--

--Janette moving to lean on the piano as he played, the thin linen of Directoire fashion leaving so little hidden on this most hidden of women --

-- and then the image of Janette laughing lightly yet again at his love for his cherished mortals-- though in the next instant she allowed herself to surrender to the mortal composition she knew he would play only for her-- Janette allowing him to see that her immortal heart was moved by her silly and beautiful Nicola's ability to love such things as much as by the music itself --

Where?  where?

He was hungry, desperate.  He drank: the taste of cow's blood disgusted him; its chilly mass seemed to clot in his throat.

--Do not seek her.--  --It's better this way.--

Nicholas paced with the accumulated fury of three months. This was December, kindly month of the long nights.  He drained the bottle, opened and half drained another.  The sight of protein shake on the shelf below the bottles brought out a flash of yellow eyes.

When had Lacroix ever told the truth?

~ ~ ~

--with lovers and friends I still can recall
--I know I'll often stop and think about them

~ ~ ~

There was no sleep for him that day, only fury.  He drained every bottle in the house and had mad fantasies of opening his own skin just for the taste of more.

The thought of Paris rose to possess him.  Janette will be there, yes, Paris, the city of lights that were really masks, the only proper home for the most dazzling and invisible of women.

Easy to arrange:  a chartered jet for the director of the fabulously rich and obscure de Brabant Foundation?  Mais oui, mais certainement, a l'instant, m'sieur... we will be in Toronto at eight...

Easy to arrange: the Nick Knight voice sounded strange to his ears; he was playing a part that had no reality for him:  "yeah, I think it's the flu, hard to say..."

Reese:  "Yup, that flu sure can be a bitch.  You take care of yourself, you hear?  You're a good cop and I want you at the top of your form."  The vampire mind, laughing coldly:  Mortal ignorance.  Mortal solicitude.

A Nick Knight laugh.  "Thanks, cap.  I think I'll just go to sleep for a couple days and wake up when it's over."

Reese:  "You know, my wife makes a kind of flu cocktail that she just swears by.  Tastes like .. well, like a lot of bad things all put together, but..."

Another Nick laugh.  "Thanks, but I think I'll pass on it, Cap. Don't want to get too sick."

Reese laughed too.  "OK, Detective, you take care now." And he was free.

The vampire flew to the airport to meet his plane.  A December night meant that even travelling East to meet the passing hours, he would have ample time to get into the city from Orly.  It was a simple, familiar matter of looking the VIP passport inspect or in the eye with a gentle assurance that this visitor's papers were in perfect order, and a small, also familiar flight toward a city he had loved since before its Kings assumed their throne.

~ ~ ~

--I know I'll often stop and think about them

~ ~ ~

He took advantage of the remaining hours of darkness to simply fly over the city at a mad speed, not looking or listening, but feeling in the dark with the most delicate and inward of the vampire senses-- calling from his very blood for her to respond...  sister, lover for nearly a thousand years--

Closely bound as they were, her blood freshly in his system only this past spring, he was sure he would find her if she were there.

But there was not the smallest echo of Janette anywhere.

In the last hour before dawn, he sought out his own kind. There was a place, dangerously named "Sang Vital" -- "Lifeblood;" there were familiar faces there, some of which fell open with surprise and pleasure at the sight of him.  Nicolas, depuis longtemps... !  Nicolas, et toi ici...!  It's been so long, so good to see you here!  No, there had been no glimmer of la tres belle, la tres jolie Janette:  she had not stopped in for a visit; no one had seen a raven haired beauty lurking in sunglasses and a turban near the runways for the autumn salons.

Then there was the day, some sleep at last in a room at the back of the Sang, with the knowledge of bottles of blood so nearby screaming at his senses.  But the madness was only for Janette.

The sun set, and he left Sang for a second night of hunting.  But this night also brought no trace, no hint of an outcry in his blood that she was near.

As the second night waned, the insanity began to surrender.

He landed in the Rue de la Boucherie, a small street in a very old quarter, his thoughts as well as his body weary from failure.  Not here. Rome?  Am I really going to fly a grid over Rome hunting for Janette?  She hates Rome anyway, rages at the Church that made women into nuns, chattels, or whores.  Venice?

Coming out of Rue de la Boucherie, Nicholas simply walked, something he'd done little of these past two nights.  He let the memories flood his mind without reawakening the furious desire that had controlled him for days.  Janette, in so many moods, in so many eras...

And how would she greet him, if she thought he had tracked her against her wish?  It was his own need that had hurtled him across the Atlantic, his own desires.  What if hers were different?  What if leaving Toronto were incidental?  What if she really had meant to leave him?

She had done it before.

~ ~ ~

--In my life, I've loved them all

~ ~ ~

-----  The image was still photographically clear:  Lacroix in high Renaissance magnificence that accorded oddly with his fierce centurion's face, saying, "Accept it, Nicholas.  You must inhabit your own nature, as Janette does hers."

He was sick with misery, sick enough to want to die. "Without her, I have nothing at all. *Rien de rien.  Ma famille, en cendres.  Mes compagnons, meme chose.*"  My family, gone to ash.  My friends, the same.

Lacroix had, as ever, simply ignored the insult wrapped inside his child's words. "Nous ne sommes pas commes ils; nous ne existerons pas commes ils." -- "We are -not- as they are; we do not live as they live."  Nicholas had watched without objection as Lacroix had touched the hangings of their apartment, run his fingers along the sheets of their bed.

"Janette indulged your touching little domestic fantasy, far beyond what I would have imagined she could.  Now she has returned to her nature, as we all must.  Nicholas, accept it:  Janette lives as what she is, and it is time for you to do the same."

Lacroix had prevailed.  He'd left the beloved "petit cabinet" where he and Janette had posed as man and wife, and gone hunting with Lacroix for many years.  And eventually Janette had rejoined them, sharing nothing of where she had passed the intervening decades.  ---

In the years after Janette's return, they had been a trio of magnificent predators, together as equals in a way they had never been before-- and never could be again.

The sky began to rise through the spectrum toward the yellow flush of day he had barely seen for centuries.  Time to find shelter from the light.

~ ~ ~

--But of all these friends and lovers

~ ~ ~

Despite its name, the sewer below Paris was many different places, some of them clean and dry.  And it was wonderfully private, which was why he had turned away from a second night of hospitality among his own kind.

It had been in that era of hunting that Nicholas de Brabant first forswore Lacroix's version of his nature:  never again to kill the innocent-- there were so many cruel, so many guilty, so many humans who justified the saying that man is a wolf to man-- but it had set him apart; he was no longer as Janette and Lacroix were.  And now... even in his worst rage, he had not taken a human.  Had not even broken open one of the bottles at the Sang.

So now there were nine hours to spend in the Paris sewer, with a vampire whose madness was abating finding the heart to laugh at himself: how much would I have bet that I would never have to do this again?  For Nicholas de Brabant had last had occasion to use this refuge during the turmoil of the Jacquerie, when he'd been hunted not as a creature of the night, but an aristocrat.

~ ~ ~

--There is no one compares with you

~ ~ ~

He felt the third night begin, and emerged as the sky fell from blue to black.  He went to a telephone kiosk, with its funny little message:  "en cas de derangement..."  "in case you are deranged..."  He'd heard a tourist produce the mistranslation years ago, but now, he thought with amusement, it almost fit the case.

He hadn't given a thought to Nick Knight's life for over fifty hours; it was time to take some care of it.

The first message on his phone struck him like a flame:

"Hi Nick, it's Nat.  So you booked out?  Let me guess, you're playing hookey with old Robert Mitchum movies -- and you didn't call me?  You know I -love- those sleepy eyes."

"Hey partner, it's Trace, sorry to hear you're sick.  This is really about sticking me with the Schneider report, right?  Hey, I'm just kidding. Give me a jingle if I can do anything, and get better quick."

"Nick, it's Nat.  C'mon, I know you don't have the flu.  Tell your doctor what the real problem is, and maybe I can cure it.  Like, take two Fred and Gingers, and call me in the morning?  Nick...?"

"Nick .. this isn't funny.  Where are you?  Pick up.  You're not asleep.  Pick up.  Nick?  Nick?"

"Nick, this is Nat.  I'm standing in the loft and there's no sign of you.  I'm going to my place now and hoping there's a note.  If you get this, will you please call me -- I'm really worried now."

"Nick, this is Nat.  I'm at home, no message.  C'mon Nick, what's the story here?  I looked in your fridge... you had yourself quite a little binge, didn't you?  What's going on?

"OK, I went through pissed off, and now I'm worried again.  It's five o'clock Thursday -- five in the morning.  No sign of you in the loft. You haven't picked up your messages.  Nick, what am I supposed to do? Where are you?"

"Nick, if you get this message... actually, if you get this message, I don't know what it means.  I'm going down to the Raven to ask Janette for help.  I don't know what else to do, Nick.  I'm really scared here... I don't know what could have happened to you."

A very different voice.  "I can't believe you did this.  You just left.  Not a word to anyone.  Not a word to me.  You just left.  I really can't quite believe it... but I guess I have to, don't I?  As you probably can tell, I've seen the Raven.  I didn't actually bother to ask anyone, it was plain.  If Janette were even on the same continent, she wouldn't let that happen.  And you just flew away with her, didn't you?  That's the code, right, no strings, no witnesses... no long goodbyes?  Not even any short goodbyes, I guess.  Well.  I don't know why I'm doing this.  I shouldn't have called this number again... it's a dead issue, isn't it? Yah... a little vampire pun there.  Enough of this.  I guess I have a lot of real interesting lab notes to go down and file.  Or burn.  Damn you, Nick, I really expected more from you.  I deserved more.  And you knew it, or at least you let me think you did."

His eyes were shut over the pain, but there was to be one additional measure of it.

"Nicholassss," a drawn-out voice of displeasure, "your little mortal friend came to the Raven this evening.  I haven't asked her why-- yet, but I do notice that you don't seem to be in residence chez vous. That appears to leave your Dr. Lambert rather unattended, and in possession of, shall we say, documents?  If you take my meaning."

~ ~ ~

--And these memories lose their meaning
--when I think of love as something new.

~ ~ ~

A second call to Toronto, pausing for the eternal thought... five here is... ten there?  Eleven?  Daytime, anyway.  Home.

A sleepy voice.  "Hello.. Lambert."

"Nat, it's me. I'm OK, and "   The line went dead.

Parisian payphones don't have a redial button; reentering the digits took long seconds.  "Nat, don't hang up.  Leave your house.  Go to a hotel under a false name and pay cash.  Do it RIGHT NOW."

"Great."  The line went dead again, but the one syllable had been wide awake with comprehension, anger-- and compliance.

His next call was to the airport.  Yes, as the Foundation had requested, the jet had been maintained in a condition of readiness, and a pilot was on call around the clock.  An hour?  But certainly.

He hung up the phone, his mind turning to the question of feeding -- there were indeed cow pastures between here and Orly, but his fastidious nature revolted against the thought -- what about the Sang, just a little to drink quickly, enough to get him back to Toronto?  Human blood:  he knew he'd had too much of it lately, was remembering the taste, no the savor and the joy of it, too vividly now.

The pay phone rang while he wrestled with his thoughts, and he turned back to it, assuming it would be the international operator calling to confirm charges as they sometimes did...

"Nicola."

~ ~ ~

--I know I'll never lose affection
--for people and things that went before

~ ~ ~

Only one voice in all of history had pronounced his name just so.  He reeled, clutching the receiver to his ear, leaning against the phone kiosk, his eyes closed tightly to help him listen...

"Janette."  An intense whisper.

"Mon cher," her voice was sad and sweet, "do not seek for me."

"What's happened to you?  Where are you?"

"Je vais bien, Nicola," said the sad voice.  "Aussi bien qu'est possible"  I'm fine, as good as can be, an assurance given in a tone of grief and exhaustion that held no reassurance at all.

"Janette--"  he whispered again, his heart tearing open, "please tell me where you are."

"Patience, Nicola," she said.  "En temps voulu..."  her voice trailed off, then picked up again:  "Be patient; when the time is right I'll come back, je te promete, I promise."

"Where, Janette?"  His voice was almost harsh.

"Do not ask, mon cher.  When the time is right...."

She was denying him even the simplest answer.  He was possessed by the image of her neck as it had been last spring in the moonlight next to the lake, that alabaster fountain from which he had drunk so passionately, so urgently.  The image shining behind his closed eyes, the sense of her blood leaping up throughout his body --

He answered the promise with an accusation.  "This *is* what you wanted then, simply to leave me.  C'est la meme rengainne... it's the same old story, we come close and then you disappear, just take off, t'esquives."

"You must not think that, Nicola."  The pain in her voice was too real to doubt.

"Then what shall I think?"  It was a bitter whisper.  "What would you have me do?"  If you need help, why won't you take mine? cried his heart.  And then Natalie...

A small sad laugh, as if she read his thoughts.  "Toujours le preux chevalier, Nicola? Always the white knight?  But you cannot help. It is odd to be ... beyond help," she said delicately, "and toute seule, all alone in this season of the sacred child, ce bebe qui par son simple survenir remanie le destin du monde entier..."  Her voice trailed off in bitterness.  "Guardez les mythes, Nicola.  Ils sont plus dangereuses qu'on connais."

Beware of myths-- they're more dangerous than you know?  The child whose mere arrival changed the whole world's fate?  What myth could threaten Janette?  Why would she speak of the Christ, still his own preoccupation hundreds of years after he had watched little Jeanne d'Arc die in the flames?  Janette simply did not talk like that-- had a priest attacked her?  Ridiculous thought; the result would simply be one dead priest, and Janette would not have come away from the encounter babbling. Had she gone mad?

"Let me come to you..."  Even as he said it, he realized that in less than a hour he was scheduled to fly to-- Natalie.  "Janette-- Lacroix has threatened Natalie Lambert.  I have to go back--  but then I"

"Non," she cut him off, her voice sad but strong.  "Go and watch over your Natalie."  And then:  "Nicola, quoi que je fasse, whatever I may do, you must understand how I care for you."  The pain of it bowed his head-- and the passionate, sad voice continued, tearing at his heart: "Seulement, Nicola, et a jamais."  Only you, and forever.

The line went dead, and the vampire was left holding a mildly buzzing telephone receiver, his immortal heart crushed as if by a stone, there on an ordinary Parisian sidewalk early in an ordinary Parisian winter evening.

His mind was one great raging fire of thoughts:  Janette refusing him, Natalie in desperate need of him, Janette, somehow hurt or lost or in pain; Natalie in danger... And he was hungry and there was no time to feed... there were so many mortals nearby; he could smell their blood, hear their hearts, all the more intensely as he grew hungrier. No. That, at least, was a familiar battle, and one he knew how to win.  He would not kill.  He no longer killed for blood.  A victory that had lasted over a century--

He grasped at the single idea of what was next:  he had to go back, had to get there ahead of the Enforcers.

He forced himself to concentrate, to find a dark, unnoticed corner from which he could fly up into the darkened evening sky and leave for the airport, to catch his flight back to Toronto, his life as an almost-mortal, to the brave mortal woman whom he barely dared to touch, whose love he barely dared to acknowledge.  All the way across the Atlantic, the contradictions ate at him, Janette and Natalie:  the one a woman he could have, but only in darkness, who now demanded that he let her remain hidden; the other a woman of light who believed in his struggle toward a light of his own, a woman he'd ordered into hiding for fear of his own kind snapping that slim thread, her mortal life...

A small knock at the door.  Natalie Lambert swallowed in fear, trying to think what to do.  It could just be the maid...

Vampires had to be hunting her, that had to be the reason for Nick's command and his air of desperation.  He had seemed to think this would be enough...  but was it?... but if they were vampires, they could just come through the door, so why knock? -- but no one knew she was here...

The knock again, a couple of light taps.

I'm going crazy, Natalie Lambert thought, and walked over to the door.  "Who is it?"

"Na-ta-lie."  A voice she knew.  She opened the door to find Janette standing in the prosaic green-gray hallway of this determinedly nondescript hotel.  Janette was dressed exotically, to say the least, wearing a huge, hooded cloak and sunglasses.  The cloak was big enough to hide two or three people, and swirled about Janette shapelessly.

Nat swung the door open.  "Come on in."  She stuck her head in the hallway.  "Is Nick with you?"

Janette uttered a small laugh.  "No, Nicola is not... with me." 

It was meant in a larger sense, and Natalie frowned. "I thought the two of you..." she started awkwardly.

"Non.  Pas possible... "  It isn't even possible. Janette threw back the hood of the cloak and pulled off the sunglasses.  She looked different, Natalie thought.  Almost... shorter.

It isn't?  Why not? But Janette's tone of voice was flat, the kind that would brook no interrogation, so-- another question she'd probably never get to ask, let alone get an answer to.  What was it about Janette?  She seemed... diminished.  Her color's off, Natalie realized with a start.  She almost *has* color... and her eyes... crowsfeet? Janette? --Oops, I'm staring.

"Not that I'm not delighted to see you, but why are you here?" Not to mention, how did you find me?

Janette smiled with a trace of her old hauteur.  "Simply to tell you that you are alright, cherie.  You may... come out of hiding now."

"How'd you know where I was?"

Janette smiled.  "We are good at finding."  And, as Natalie reacted nervously, she raised a hand.  "No-one knows where you are, personne. I followed you.  Nicola..."

"You talked to Nick?"  Natalie caught her breath. //If he's not with you, where the hell is he?//

"For a very short time only," Janette said.  Now her bitterness was thick enough to slice.  Her eyes lost focus, filling with memories, and Natalie Lambert stared at her frankly, wondering what could possibly be the matter, thinking of a hundred questions she didn't dare to ask-- which reminded her of a question that she did dare ask:

"How could you let them do that to the Raven?"

This startled Janette back into the present; she hadn't expected the mortal woman to care what had become of her precious club.  The smile she gave Natalie was haunted.  "It doesn't matter now," she said sadly.

Natalie was frowning, trying to know what she could not know.  What was the matter?  "Janette... can I help?" she said softly.  The thought of her helping a vampire was nearly inconceivable, and yet... what could have happened?

A single small stroke of compassion, and Janette's face became suffused with the sorrow she had been controlling.  She fought it back. "Non," she repeated with soft irony, "pas possible."  She took a breath, and some of her old strength came back in to her expression. "Besides, I came to help you...  Go home, Natalie.  It is all right now. Tout s'arrange."

Right, thought Natalie.  A vampire shows up and tells me 'everything is straightened out,' and I'm supposed to just go along my merry way. And yet she believed Janette.

She gathered her things -- one change of clothes and a coat, not much of a wardrobe for exile -- and moved past Janette to the hotel door. Tell me again, why am I taking this vampire's word for it that the world is now safe for Natalie? But she was -- and Janette looked so... unJanette.  Almost forlorn.

"Good luck, Janette," she found herself saying.  Absurdly, or so she would have thought ten minutes ago.  "Whatever it is, good luck."

Janette smiled at her again, pulling the hood back up over the raven black hair.  Much of her self-possession, her air of almost-grandeur, returned to her posture, and with it the distant amusement Natalie most associated with Janette.  But the words, like the smile, were more than friendly, were all but confiding:  "Nous las femmes -- how often do we have such 'good' luck, eh?  But thank you."

We women, Natalie thought, smiling back.  Yah, the differences between humans and vampires pale in comparison with the gulf between the sexes. And in the next second, Sure, right-- just keep telling yourself that.

"One thing more-- Na-ta-lie?"  Janette lay a gloved hand very lightly on her arm.

Natalie nodded.  "Do not mention to Nicola that you have seen me."

A frown of incomprehension came and went on Nat's face, and she nodded her assent.  "Sure-- if that's what you want."

A derisory snort escaped Janette, but then her expression was sad again.  "Eh, bien, what I want--- "  She shrugged.

Nat nodded again.  "Goodbye, Janette."  Nat walked down to the elevator and pressed the button for Down; when she looked back toward the door of room, Janette was no longer there.

~ ~ ~

--I know I'll often stop and think about them

~ ~ ~

From the plane, Nick tried Natalie's phone and got the machine as he hoped.  He left no message, wanting to add nothing any Enforcer could conceivably use.  Fear for Natalie's life ate at him-- the fact that his own life would also be forfeit according to the Code barely crossed his mind.

There was again the brief charade with passport and customs, and then he was free to go.  He went to the Raven first, to Lacroix first, to get information, to find out how terrible the threat really was.

The hour was early, the Raven still far from full.  Only a few mortals were in the place, sitting at a table near the back, talking about some party the night before.  Nick's senses swept the place, finding no vampires in the front room, no Lacroix, no bartender in sight--

And unattended on the bar was an open bottle that Nick's senses, on edge from sheer hunger, told him was the house 'special,' the admixture of alcohol and human blood that kept vampire thirsts in check as the human beings who frequented the Raven dangled themselves carelessly in front of those immortal hungers.  Such a bottle should never, never be left out, unwatched, unguarded; such a secret should never be handled so recklessly.  Nick went straight to it, picked it up, thinking to put it out of sight, away behind the bar, somewhere, but the hunger in him screamed and he lifted the bottle to his lips.

Hungry as he was, he swallowed the human blood thirstily, happily, hating the thrill of it heating his body, hating the scintillation as the vampire senses awoke to the sheer pleasure of their proper food-- too much, too much, his conscience tore at him.  Even though this was sure to be lawfully gotten, unkilled-for blood, it was human, it was wrong, it was the emblem of the unnatural existence he was cursed to...

And there was Lacroix, leaning on the bar a few feet away from him, watching him drink with idle pleasure.

"Breaking a long fast, Nicholas?"  Lacroix's smoothly amused voice said that he almost certainly knew the answer, had almost certainly arranged the little scene Nick had found upon entering-- had arranged to feed his ravenous son as soon as he arrived-- but only what Lacroix had wished him to drink.

"Yes."  And that was all the satisfaction he would give Lacroix. "Tell me what you've done," he said roughly.

Lacroix smiled, and his eyes widened.  "So very nice to see you, Nicholas.  You ‑must‑ stop by more often."  The slightest emphasis, the smallest threat.  Nick's anger increased.  "To answer your question," Lacroix continued mildly, "as you well know, I have done -many- things." Another small smile.

"You know what I mean."  Temper confined, but pressing.

Lacroix sighed.  "So earnest, Nicholas.  So-- glum.  And you used to be so droll."

"Did you call the Enforcers?"

Lacroix laughed. "And so-- how shall I say it? -- callow. Gullible.  Credulous.  So tediously predictable‑‑ or shall I say, so -conveniently- so?"  The eyes turned icy cold.  "No, Nicholas, I did not, as you so crudely phrase it, call the Enforcers.  They lack.... subtlety. I simply wished to bring you back to your senses-- and, more directly, back to your -own- place in the scheme of things."  His voice was light, but the eyes were implacable.  "Home, so to speak."

"You wanted to bring me to heel, and you used Natalie to do it." Contempt saturated Nick's voice, but Lacroix appeared unaffected, simply pouring himself a glass from the bottle Nick had set down.

"You -will- have your little mortal pets," Lacroix murmured, sipping at his glass.

"What about Janette?" Nick said harshly.  "You haven't brought her-- home, as you call it."

"Ah, la petite Janette," Lacroix mulled.  "But Nicholas, she too is in her proper place.  At present, that place is -not- here."  A trace of steel crept into his voice.  "You went on a fool's errand, Nicholas. Now let it rest."

"You know, don't you?  Why she left?"  The hatred that had colored Nick's voice fell away, swallowed in the sheer desire to know.

Lacroix shrugged slightly.  "It -is- my habit to know- where my children are concerned."  He punctuated his unresponsive answer by flicking an amused and somewhat malicious glance at his sulky child, then finished his glass.  Nick started to move toward him, but Lacroix turned his back and walked away.

~ ~ ~

--In my life, I love you more

~ ~ ~

And then to Natalie's apartment, hoping she could have left him a clue as to her hiding place.  He played the messages on her answering machine, unimportant daily news-- no, important daily news; her cat at the vet, her drycleaning.  Tiny, cherished details that made life life.  Is this what you want? mocked the vampire in his mind.  To join this woman in picking up her cat at the vet?

To have a son? answered his human heart. To make love to a mortal woman without taking her life?-- to make love to Natalie without hurting her, simply to kiss her without fighting away my sense of her blood...

Maybe Natalie had called in.  It would be mid-shift; maybe dispatch would know.  Or Reese -- bighearted Reese, too kind, or so it seemed, to work out in a command position.  An easy call:

"Hi cap, it's Knight."  And this time it really was, and not a stonyhearted vampire scheming to get away.

"Knight!  Good to hear from you... how ya feeling?  Been asleep these past coupla days, have ya?  Out of the game?"

He snorted.  "Out of the game, definitely.  Listen, I was wondering... I heard Natalie Lambert got the flu too..?"

It was a shot in the dark, but it would have been a way for her to check in, leave him some clue that would let him find her.

"Lambert?  Nah, she's fine.  Hang on-- no, she's not, but she was right here a minute ago. ... Uh, Nick, you there?  Nick?  Damn, I wish you'd develop some phone manners...."

"What are you doing here?"  Nick's voice was tense, accusatory.

"Oh, weighing organs, inspecting the contents of the stomach, observing the odd splotch of lividity here and there... in short, my job," said Natalie Lambert.  "I work here, remember?"

"I told you..."

Natalie was ready for this one.  "I'm not going into hiding from either your friends or your enemies.  I live my life, they live theirs -- or they don't.  Either way, they don't make my rules.  I have a job to do."  It was pretty convincing, Natalie thought, wondering again why Janette insisted on having her secret kept.

Nick glared at her, and she glared back, in no mood to give ground.  "Unless you'd care to give me some other instructions," she snapped.  "Maybe this time you'd like me to cross the border wearing a Groucho nose and a wig?"

"No. It wasn't as... serious as I thought."

"Really?" she said sarcastically.  "What wasn't?  You go on a blood binge, you disappear, you call me up and tell me to disappear, and then you show up and say, oops, no big deal?  Which part wasn't a big deal?  It all looked fairly serious to me."

He sighed.  His mind swam-- Janette, dark lover across centuries who would not have him too near; Lacroix, cruelly exacting father whose motives he still had never learned to comprehend after eight hundred years, an angel saying "these are the souls of the innocents you killed"-- and Natalie Lambert, thirty-two year old mortal woman, more fragile in his eyes than she could ever comprehend-- staring at him with mortal anger, mortal injured feelings.  Injured feelings?

He looked at her wordlessly, trying to understand Natalie as she stood before him, her eyes huge and full of questions and pain.  In this cool, tiled room where she peered at his DNA through her microscope and inched at the speed of one human mind toward a reversal of his torment.  Natalie, with her great chestnut fall of hair, the mouth he so often wanted to kiss, to simply possess as he had so many women. She was looking at him with brokenhearted exhaustion.

"Nick... I can't do this.  I feel like a human rubber band... stretch stretch stretch, release.  It gets old, Nick.  You go off on some tangent, you disappear, not even a note.. I really can't do this."

Nick sighed again.  "Janette vanished."

Natalie's surprise was genuine, though not for the reason he thought.  "So?  If what I saw at the Raven is any evidence, that happened a while ago.  Why suddenly take off now?"

"I... needed to see her."  Nick looked away, then back at Natalie to find her watching him with almost too much comprehension.

Natalie sighed.  "Nick, I'm really afraid I'm losing you," she said gently.  "The last few months have been-- well, terrible, and then you just disappear like that... I thought--"

"I know."  He came to stand right in front of her, his blue eyes haunted with pain, conflict, memory, unfulfillable desire, the brew of torments Natalie had grown to know so well in this man's eyes.  He took her hand, "Nat... I don't know what to say.  But I came back-- to you.  To here.  To everything we're trying to accomplish."  Is that enough?  his eyes were asking.  Is that enough to keep you in this with me, to keep you risking your life for me?

It is for tonight, Natalie Lambert realized. And let tomorrow take care of tomorrow.

She started to say, "Nick, this just can't keep happening--" but her eyes said otherwise.  Her eyes said, I guess you gave me enough to keep me going.  She met his eyes steadily, letting him see it.  And saw the flood of gratitude and hope, and the love and desire he never let himself tell her of, rising in his eyes.

For the thousandth or ten thousandth time she let herself imagine what those eyes would look like if they ever made it, if she ever managed to bring him back across to his humanity and free him from the worst of his shadows.  She smiled at him.  Well, OK: that was more than enough for tonight.

~ ~ ~

--In my life, I love you more.


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